Hand-picked since 2012
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  • The art of noticing by mymind

    What we pay attention to opens up. Stare at an ant for an hour and you'll be enthralled. Dive deep into a subject and you'll become obsessed. Really tune into a conversation and it will expand.

  • Animation Vocabulary by Emil Kowalski

    A glossary of common animation patterns taught in the course. Use these names to describe what you want when prompting an AI.

  • Figmalion newsletter by Eugene Fedorenko

    A weekly roundup of hand-picked design resources and publications covering the Figma ecosystem, design tools, AI workflows, and product craft.

  • Overcome imposter syndrome by Scott Berkun

    Meeting someone who does better work than you doesn't make you an imposter: it just means you've met someone you can learn from.

Read all week, picked once. The best design links — every Tuesday.

  • Fontastic Space by Dasha Dzisko

    Compare Google Fonts side-by-side with anatomy overlays, OpenType metrics, pairing scores, and ready-to-use CSS.

  • Train your judgement by Emil Kowalski

    Putting into words why something feels right trains your ability to articulate your judgment, a skill that will be incredibly valuable in the AI era.

  • What "done" means when you're shipping AI features by Jeff Gothelf

    Done isn't a checkbox. It's a stance. You are saying, in public, I have decided to accept these variances, I have planned for these failure modes, and I have rehearsed how I'll respond when the variances I didn't anticipate show up anyway.

  • Why the accept attribute degrades file upload UX by Adam Silver

    Error hiding is not error prevention. Which is why the accept attribute is so bad.

  • CSS is filling the gaps with rules by Brecht De Ruyte

    For a long time, if you wanted to style the space between items in a grid or flex layout, you had to fake it.

  • Gradient shader by Brad Woods

    A sine wave is more organic than a straight line — but it's uniform — which isn't organic. We can fix this by combining sine waves with different properties.

  • Why the Ferrari Luce looks like that by Arun Venkatesan

    When your explicit goal is to attract a completely different buyer with an entirely different product that shares almost nothing with your decades of history, you're going to alienate the people who loved what you had before.

  • Build your own AI experimentation stack by Siddhant Khare

    Netflix spent years building their experiment platform. You have the tools and a weekend. The hard part is not spinning things up. It is tearing them down cleanly when the idea fails.

  • Why AI changed design handoff forever by Andy Madrick, Michael Riddering

    While at Notion, he's developed a workflow where he prototypes directly in code, ships frontend PRs, and uses AI tools like Cursor to own the final polish of user interfaces.

  • A designer’s guide to opening Xcode for the first time by Kris Puckett

    What changed is that you no longer have to know how to write code. You have to know how to read it, and that one shift is the whole reason this page exists.

  • The orchestration tax by Addy Osmani

    Spawning agents is not the skill. Anyone can run 20. The real skill is designing the system around the one serial resource that cannot be cloned or paralellized.

  • Intent is the design superpower AI can't replace by Raff Di Meo

    The moment we define our value by how fast we can build something, we have already lost.

  • Figma agent: a first look by Gjermund Gustavsen

    Like most LLM-powered tools, though, the technology feels like it swings between amazingly capable and completely clueless.

  • Your design system isn't enough by Marie-Claire Dean

    Deciding what something should feel. Writing the relational stance a product takes toward its users. Defining what it refuses to do, and why. Encoding the emotional logic of a flow so that an agent can render it a thousand times without losing the thread.

  • The state of CSS centering in 2026 by Temani Afif

    Centering is nothing but a special case of alignment in CSS, and alignment is a complex world.

  • Introducing Claude Opus 4.8 by Anthropic

    Early testers have found Claude Opus 4.8 to be more reliable and sharper in its judgement when it's performing agentic tasks.

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